“Okada’s death completely fits into Sato’s version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by security cameras, denied privacy. They float, friendless and unattached, in and out of phone booths, sex clubs, medical research, subways, neon cities.”展开
8.0
Tamara Cortes 马迪亚斯·卡塔兰 Paula Dinamarca Pedro Mu?oz 路易斯·杜博 Vicente Caballero Bruna Ramírez Sirena González Alexa Quijano Francisco Día Z Claudia Cabezas